Blockchain has often been presented as a solution to a crisis of truth. Promising immutability, objectivity, and trust without human judgment, it is framed as a technology capable of stabilising reality itself in an age of widespread uncertainty. Yet beneath this rationalist promise lies a dense cultural …

Precarity and budget cuts plague arts and culture while they are still recovering from the damages of the pandemic. Meanwhile, extreme right wing politics spreads across the world and increases censorship and repression on artists and cultural practitioners. How can creatives come together and build …

Introduction Take it Personal!+ is a treatment program for individuals with Mild Intellectual Disability or Borderline Intellectual Functioning (MID-BIF) and Substance Use Disorder (SUD). It is supported by a mobile health application (mHealth), and researchers found it can reduce Substance Use (SU). …

For the 6th episode of Art in Permacrisis, we talk to Inte Gloerich. Inte is a critical media and technology researcher, and a colleague at the Institute of Network Cultures. She is one of the core people behind the research community MoneyLab. Inte also just finished a PhD on feminist blockchain imaginaries. …

This paper explores how so-called ‘Web3’ blockchain projects are materially and socially constituted. A blockchain is an append-only distributed database. The technology is being hyped as applicable for a whole range of industries, social service provisions, and as a fix for economic disparities in communities …

Inte Gloerich and Gabriele Ferri investigate the impacts of Covid-related datafication on marginalized urban communities, emphasizing the importance of creativity and imagination in fostering resilience and agency in the face of ongoing and future crises.

With this article, I explore the connections between blockchain technology, coloniality, and decolonial practices. Drawing on Sylvia Wynter’s thought on the interdependent systems of colonialism, capitalism, and knowledge, as well as more recent work on the coloniality of digital technologies, I argue …