This paper addresses the in- and exclusivity of, and of (in-)visibilities in the city for people with physical impairment by drawing on a participatory student research project. Students at the University College Groningen collaborated with students from the Art Academy Minerva and clients at the Noorderbrug, …

For the past decade I have, as an artist/researcher, investigated the uses of photographic pictures in East African country Uganda. The relation between photographic pictures and memory have been well researched and argued. But this is often done from a rather one sided Eurocentric perspective on photographic …

Ebifananyi at The Uganda Museum, an exhibition relating to my doctoral research, following up on an earlier exhibition in Antwerp, Belgium and in Kampala part of KLAART18, a ‘public art festival which celebrates public art for and in the city’. The visitors of the show in Antwerp were welcomed with a …

A presentation that provides insights into a visual mode of narrative research connected to my PhD research

This seminar is organized by the European Centre for Documentary Research (eCDR), as a complementary activity to expand the research work developed by its members and to generate links and collaborations with artists, theorists and other researchers.The present session focuses on contemporary documentary …

Humans use metaphors in thinking. Most metaphors are visual. In processing information stimuli the mind depends partly on visual codes. Information is processed and stored through two channels: one for non-verbal information and another for verbal information. The two different areas of information in …

The 1980 World Press Photo edition xdirected the gazes of its audience mainly towards the ‘far east’. ‘The World’ was seen through the lenses of European, Russian and American photographers. This installation asks its audience to consider whether Elly Rwakoma’s photographs could have stood a chance, …

Exhibition of Work In Progress outcomes of elective course 'Mythbusters, Unfixing Histories, World Press Photo'. The course is part of the project Unfixing Histories, which is related to my PhD research, but takes the gesture of investigating histories in and with photographs as part of artistic practices …

An installation based on the research for the last book in the Ebifananyi series. The book presents a largely visual social biography of the photograph Henry Morton Stanley made in 1875 of Ssekabaka Muteesa 1 of Buganda and his chiefs. The group portrait is one of the first photographs made in the territory …

Overview exhibition of the artistic output of PhD research