Het artikel bespreekt enige resultaten van een etnografisch onderzoeksproject naar een Nederlands shantykoor en focust op twee vragen: is muzikaal-artistieke kwaliteit van belang in dit koor, en is het koor een formele of een informele groep?

Over the past fifteen to twenty years we have witnessed Dutch and European higher art education become increasingly more international, a development that is reflecting globalisation in the art world in general. The artists we work with in many of our institutes and (master) programmes come from a diversity …

Research into workplace mentoring is principally focussed on predictors and psychosocial and instrumental outcomes, while there is scarcely any in-depth research into relational characteristics, outcomes and processes. This article aims to illustrate these relational aspects. It reports a co-constructed …

Participatie in werkconferentie over onderzoek in actieve cultuurparticipatie en presentatie ‘Etnografie en onderzoek naar ‘Actieve Culturparticipatie’’ ministerie OCW, Den Haag, NL

Lecture 'Music matters' XIV, June 9, 2016, University of Groningen

Drawing from a study of everyday home practices from a material objects' perspective, this paper examines the potential that a thing ethnography holds for both design and anthropology. In doing so, the paper challenges anthropocentric assumptions about the world, and opens up ways of understanding relationships …

Paper presentation. Onderzoeksconferentie Cultuureducatie en Cultuurparticipatie, LKCA, Utrecht, 23/11/2015.

Paper presented at the 31st European Seminar in Ethnomusicology ESEM, Limerick (Ireland), 18/9/2015. This paper presents a case study of ‘Belinda’, a Dutch woman in her early sixties who considers herself at the same time as ‘un-musical’ and musically hyper-sensitive. She is neither an ‘outstanding performer’ …

Paper presented at 31st Annual European Seminar in Ethnomusicology (ESEM) 2015

Paper presented at the 43rd ICTM World Conference, 16-22 July 2015, Astana, Kazakhstan. The paper discusses some aspects of the shanty choir phenomenon in the Netherlands and contains a methodological discussion concerning ethnomusicology-at-home, 'neo-classical fieldwork' and the place of participant …