This chapter explores the oeuvre of the |xam (bushman) potter, Ssuobba-||kèn, a victim of the genocide against this first nation, that lasted from proximately 1700 and 1890 in the north west Cape region of South Africa and current day Namibia. The author critically examines two key conflicting historical …

Individuals take possession of their lives by connecting who they are to what they do. The Protean musician is one who not only performs but pursues a lifelong series of identity changes based on continuous learning. Musicians focus on learning how to learn, on adaptability, and on developing knowledge …

Paper presented at the 31st European Seminar in Ethnomusicology ESEM, Limerick (Ireland), 18/9/2015. This paper presents a case study of ‘Belinda’, a Dutch woman in her early sixties who considers herself at the same time as ‘un-musical’ and musically hyper-sensitive. She is neither an ‘outstanding performer’ …