Lunchlezing Kenniscentrum NoorderRuimte

In deze voordracht schetst Esther Schaareman hoe ze in de 25 jaar dat ze kunstvakken gaf in het voortgezet onderwijs ‘de leefwereld en het referentiekader van haar leerlingen zo goed als ze kon als uitgangspunt nam om de inhoud en de pedagogiek van haar lessen bij ze te laten aansluiten. En hoe dit (alles) …

Presentatie over idiocultureel muziekonderwijs voor derdejaars studenten van de opleiding Docent Muziek.

Today’s applied design researchers are where the action is. They have always operated as a catalyst of change: propelling and steering design and society into brighter futures. But now, more than ever, design researchers teamup with a broad range of stakeholders to get things done. They surround themselves …

What are the lessons that applied design researchers can take away from this book? What suggestions and recommendations can be derived from the experiences presented in the preceding chapters? On the one hand, it is clear that working with Living Labs offers unique opportunities to address some of society’s …

How does defamiliarization relate to that which it assumes to be familiar? This chapter explores this question in the context of toxicity, an often invisible and imperceptible power, with the aid of two case studies from landscape art. Wout Berger’ s work Giflandschap (Poisoned Landscape, 1992) is exemplary …

Reactie op artikel van Hester IJsseling in KWALON-tijdschrift over onderwijsonerzoek.

Korte beschrijving van boek gericht op leden academische beroepsvereniging

Thinking about the music we use in our music teaching is crucial. The meaning of music is relational, arising from the entanglement between the music and the person, the ‘musicker’ as Christopher Small would say. The idea of entanglement gives rise to many interesting questions about musical repertoires, …