What potential audience members do with music – and what music does for them. Presentation Sarajevo, 12-2-2014.

The present study attempts to explore the field of creative music workshops with the elderly. A growing amount of research has been carried out into running (creative) workshops, and besides we know a lot about the elderly and ageing. The aim of this research is to gather knowledge on the merging of …

Professoral inauguration speech, 25-06-2014

'… En ieder zingt zijn eigen lied...': personhood, singing in a choir and dementia. In the book 'Dementia Reconsidered' (1997) Tom Kitwood formulates what the point of departure should be with regard to the care for people with dementia: the safeguarding of someone's personhood by fulfilling the five …

Een overzicht van de rol van improvisatie in het leven en werk van de musicus. Improvisatie wordt belicht als vorm van zelfexpressie, wat voor de meeste musici van jongsaf aan een belangrijk thema is. Daarnaast wordt improvisatie belicht als middel voor expressie van 'zichzelf en de ander', zoals dat …

Seeing improvisation as something that really needs its place in conservatoire training and education may be more or less ‘new’. However improvisation itself is of course not at all new and has existed since as long as we can remember. I will not go into that any further, it would take not a single address …

Paper presented at international symposium ‘Dementia and Music. Research and Practice’. University of Vechta, Vechta, Germany, 21/9/2013. Paper argues that working with dementia for musicians and music students is important because it demands them to focus on the 'other' rather then on themselves and …

In the past ten years, music consumption has witnessed a dramatic shift from the predominant consumption of music via physical music carriers, toward a consumption pattern that excludes the employment of a music carrier. This form of consumption has been called Download to Own (DtO). In recent years, …

This study focuses on the uses and functions of music in the life of individuals in the province of Groningen at the beginning of the twenty-first century. The study is an ethnomusicological study representing the sub-discipline of ethnomusicology-at-home. It uses Andreas Reckwitz’ formulation of practice …