The following exchange, over email, between Dutch media theorist and Internet critic Geert Lovink and Aaron Moulton occurred on the occasion of the exhibition The Influencing Machine at Galeria Nicodim in Bucharest, which closed on April 20, 2019. The show, curated by Aaron Moulton, was an anthropological …

Over the past decade, a growing number of artists and critical practitioners have become engaged with algorithms. This artistic engagement has resulted in algorithmic theatre, bot art, and algorithmic media and performance art of various kinds that thematise the dissemination and deployment of algorithms …

Although Grodzka Island is located in the heart of the city, many citizens of Szczecin have forgotten this piece of land. The island is surrounded by a very strong historical context of the popular cultural centre and an upcoming new hotspot in the city: the post-industrial harbour. Today, the city of …

This seminar is organized by the European Centre for Documentary Research (eCDR), as a complementary activity to expand the research work developed by its members and to generate links and collaborations with artists, theorists and other researchers.The present session focuses on contemporary documentary …

Underground culture and non-institutional arts of Eastern Europe, North America and Western Europe of the 1970s/1980s often included experimentation with the dispensation of individual signatures and identities, in favor of pseudonyms and collective-anonymous identities. This included dispensation of …

Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the …

Today the role of the museum institution is often questioned and consumed by crises of meaning, funding, and relevance. Within the European context the economic crisis resulted in major budget-cuts in the public spending, which also affected artistic and cultural public funds. It has been thus increasingly …

The history of 20th century painting conventionally identifies abstraction with modernism and the return of figuration with postmodernism...

Text of the Reinwardt memorial lecture by Margriet Schavemaker at the Reinwardt Academie on the 17th May of 2016.