In the past years, professional musicians of participatory music practices in healthcare contexts have increasingly worked as artistic allies for care. The musicians shaping these practices have developed ways of engaging with patients and their families, collaborating with healthcare professionals, …

Conference presentation on the ethical professionalism and decision-making of hospital musicians. A conference presentation at the CERC2025 conference on January 25th, 2025.

The importance of learning to create an expressive performance is a consistently discussed topic in music education. However, how musicians develop “expressiveness” is still understudied. Recent investigations haveshown that musicians’ motor behavior is a significant source of perceptual information …

Background: Palliative care patients desire more symptom management interventions that are complementary to their medical treatment. Within the multi-professional team, nurses could help support pain management with non-pharmacological interventions feasible for their practice and adaptable to palliative …

This research investigates the integration of stakeholders' values into the digital frameworks of Collective Management Organizations (CMOs) within the Dutch music copyright system. Utilizing Q methodology, the study captures diverse perspectives from composers, lyricists, publishers, and CMO representatives …

There is a need for modernizing the Dutch collective management system of music copyright to match the rapidly changing digital music industry. Focusing on the often-neglected human values aspect, this study, part of a larger PhD research, examines the value preferences of music rights holders: creators …

How many people would never experience live music in their entire lives? How many would never be touched by being connected to a performing artist? Or, to cite the British sociomusicologist Simon Frith, “who [would say] they loved particular performers but had no desire to see them live?”. Obviously, …

The aim of this study is to better understand the individual construction of the experience of liveness at pop music concerts and to add knowledge to the field of measuring audience experience in performing arts. The study is based on a mixed-methods methodology, designed to overcome the common difficulties …

Live music is of great value in the lives of many. Even in today’s age of unlimited access to digital music, the appetite for live performance is only increasing. In fact, the years preceding the pandemic in 2020 can be regarded as the best for live pop music in terms of the number of gigs, audience …

Music festivals are among the most affected sectors during the COVID-19 pandemic. Yet, despite their precarious situation, several Dutch festivals have managed to innovate and transform during the crisis. This chapter seeks to understand how these festivals managed to bounce forward. Based on three case …